Showing posts with label Superhero. Show all posts
Showing posts with label Superhero. Show all posts

Sunday, July 3, 2011

Are Superhero Films Too Toyetic?

Welcome back. I haven't posted anything in a while due to work commitments therefore I thought I'd come back with something a little bit different. I want to highlight and discuss the relationship between the current influx of superhero movies and the toy industry. This idea came to me recently when I was browsing through a local toy store and saw a large amount of shelf space devoted to Thor and Captain America: The First Avenger merchandise.

Granted most comic book movies will have toy lines to appeal to the young children or collectors who've seen the films, but when does it get to a point when the movies themselves are constructed with the toy lines in mind? Joel Schumacher's Batman & Robin was criticised for being a two hour-long toy commercial, which illustrates how film studios do factor in how the films can generate money from toy merchandise. It didn't stop there for the Batman franchise, as some would argue his latest in film gadget, The Bat-Pod was purposely created just to sell toys.

The Iron Man film franchise can easily be seen as having a vast toyetic approach. Robots vs. robots, the toys basically sell themselves. It was Iron Man 2 however that raised questions over how much planning had been put into the film's toyetic appeal. The ending of Iron Man 2 was essentially a battle royale for robots. In what was a clustered finale, Iron Man and War Machine unleashed fire upon countless Hammer Drones in a scenario that didn't really fit in place with the rest of the film, considering how little action was found in Iron Man 2?s first half. Was the action focused ending just a way to make sure the film generates toy sales?

Last month's super debutant Thor is a little harder to make toyetic. But what the toy companies did do is generate toys based on the weapons in Thor. For instance Hasbro created an electronic hammer and heavily advertised it though television. What child wouldn't want to be a Norse god? Captain America: The First Avenger is the toyline that most got my attention. It's obvious Cap's figures and play sets have been heavily designed with G.I. Joe in mind. That's a great and clever marketing technique, but to what extent does that ideology cross over into the film? Is Captain America going to be driving a 4?4 and a fighter jet as well as his trademark motorbike throughout the film? Are The First Avenger's action scenes going to be story devices for advertising toys?

These are just some examples of how some comic book movies have made their marketing intentions clear throughout the films. In some cases the toyetic approach is not a problem, providing the action scenes are well constructed and actually fit into the context of the films. The X-Men franchise (bar X-Men Origins: Wolverine) is probably the best comic book movie franchise that doesn't over exploit the toyetic approach. That's where FOX trump over Marvel Studios. Marvel need to make sure they don't spoil any future movies, buy trying to generate toy sales.


View the original article here

Thursday, June 30, 2011

Great Superhero TV - My Hero

Whilst popular TV shows like Smallville and Heroes have come and gone, they were missing a crucial element to the superhero formula. Fun. Sometimes comic book movies and TV shows fail to showcase that having super powers can actually be fun. Spider-Man was overburdened, Superman became lonely and Green Lantern struggled to overcome fear. Before all the live action comic book genre really took in the 21st Century, came one delightful English superhero sitcom, My Hero.

My Hero was created by Paul Mendelson and aired on BBC One in 2000 lasting for six series until concluding in 2006. Ardal O'Hanlon played the role of the multi-powered alien superhero Thermoman, who creates a human alter ego George Sunday. The series follows the lives of George and his family, including his human wife Janet (Emily Joyce) and their two super powered infants. The show focused on how George struggles to fit into society, due to his un-familiarity with life on Earth, he finds himself being misunderstood often.

What made My Hero so successful was that it actually included all of the common conventions of a superhero show, but lampooned the superhero mythos to make the product humorous. The show explored how the hero struggled to fit into society, which provided tons of comedy material. George's awkward relationship with Janet's parents made you laugh, but also made you sympathize with him, as he could not reveal that he was really a multi-powered superhero.

What stood out for me with the show is that it took a superhero with set powers similar to Superman, and brought him down to Earth in a way comic book movies have always struggled to do. Due to George's quest to be accepted by his Wife's parents, whilst saving the world as Thermoman, audiences connected with him and actually supported him throughout the series. That's how you humanize a character that's invincible, something DC has long struggled with for Superman.

As Ardal O'Hanlon was the heart of the show, the product's quality ultimately diminished when he left in 2006 to be replace by actor James Dreyfus. (Gimme Gimme Gimme) Gone was the lovable superhero, replaced by a camp archetypal character that single handedly, despite the best efforts of the show's amazing supporting cast, destroyed the show. Despite the show's poor ending, I can't help but wish the BBC would convince O'Hanlon to return so that My Hero can grace our screens one more time. There are so many sitcoms they have in need of cancellation (My Family mainly) and it's only fitting Britain shows America how to properly handle a superhero sitcom.


View the original article here