Establishing Character In Ensemble Sci-Fi Movies

The quality of characters in movies can mean the difference between a decent film and a great one that impresses movie fans for decades.

In some movies especially those with ensemble casts there is only so much screen time that can be devoted to each character. Think X-Men, Transformers, Spider-Man and Star Wars. The movie makers make use of character traits that we can easily and quickly identify with. By intimating certain character traits the viewer can infer as much information about the character that is necessary to move the plot along and make the movie effective. Some films do this very well and some don't.

In the movie X-Men by Bryan Singer there are around ten characters that the viewer needs to be familiar with. The main protagonist Logan when introduced in the movie is shown fighting in a cage bar brawl competition. This establishes Logan as a violent and unpleasant person from the off. Logan is given ample screen time in the film so that the impression of him is different by the end of the movie. By the end he is still seen as violent and unpleasant at times but he is also revealed to have a heart of gold.

Not all characters in the X-Men universe are given so much screen time or even any dialogue. For them it is important that the movie establishes their character quickly. In the X-Men sequel the character Collosus only has one line but he is judged by his actions. In two short scenes we see him defening the school children from military attack and offering to help Logan stop the intruders. This shows him to be a formidable foe as well as being generous and kind.

Where the X-Men movies tripped up big time is with the third movie The Last Stand in which even more mutants are introduced. The character Warren Worthington otherwise known as Angel is quite comical in the lack of impact he has. There is one scene at the start of the movie where we are shown Warren as a young boy trying to cut off and hide his wings. Later we see Warren fly out of a window. Then we see him turn up at the Xavier mansion. Then at the end he flys in to rescue his father from a plunge off a building. I think Warren has one line of dialogue. When he does fly in at the end the viewers don't care a jot. Why? The scenes he appears in tells us nothing about him other than he is quiet and he has wings. We don't know if he's brave, scared, noble, deceitful, cool, nothing. Other notable X-Men last stand character failures include Rogue, Iceman, Pyro, Juggernaut and Callisto.

Another example of characterisation going awry is in the Transformers films. In the first one the Autobots are all introduced and their specific talents talked up by Optimus Prime. They then each get a few scenes each where we see them do or say something. In the second movie they are not so lucky. As well as the surviving Autobots from the first movie many more are added in the form of Sideswipe, Arcee, The Twins and Jolt. Sideswipe gets a scene at the beginning of the movie where he rips a Decepticon apart and tells us how awesome he is. Fair enough, we can now assume that he's a confident and deadly Autobot. Jolt or Arcee? Nothing, Jolt doesn't even say anything but I suppose it's another toy to sell. The Twins get lots of scenes so we get to know them pretty well. In the new movie Dark of the moon this is remedied somewhat with the new Autobots getting more scenes and dialogue.

There are some movie franchises with ensemble casts that manage characterisation well such as Star Wars, Lord of the Rings and the Harry Potter films. Harry Potter in particular adds new characters in each movie but they are always given enough scenes and dialogue to get the character across to the viewer.

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Top 5 Romantic Movie Scenes

Everybody has a favorite romantic movie scene. It doesn't matter your gender, you surely enjoy observing love fairy tales, stories of women and men falling in love... I have prepared a heart-swooning chart of my personal top 5 romantic movie scenes of all times. Hold your breath and get ready for it!

1. Titanic

Leonardo DiCaprio (Jack) and Kate Winlset (Rose) standing on the bow of Titanic, while the famous song "My Heart Will Go On" is played in the background, has become a classy part of the scenario. Surely this scene is the undoubted leader of the chart.

2. The Notebook

The unique chemistry between Rachael McAdams (Aliie) and Ryan Gosling (Noah) is quite a reason for the big amount of astonishing love scenes in the movie. After re-watching "The Notebook" I chose the ending scene to be one of the most remarkable love scene ever filmed.

3. Pretty Woman

Pretty Woman is a remarkable love story about Richard Gere and Julia Roberts. Without any hesitation we picked the ending scene to get to the #3 spot of my personal chart. It is a modern version of a knight on a white horse coming to save his beloved one with a sword in his hand. In fact, Richard Gere doesn't have any sword, but an umbrella and instead of riding a white horse he comes with a white limo. Classy, uh?

4. Casablanca

A beautiful and a heart-breaking story, involving Ingrid Bergman and Humphrey Bogart. If you haven't watched this movie, be sure that this has been one of your biggest mistakes in your life. In general, the plot is set in unoccupied Africa during the early days of World War II: An American expatriate meets a former lover, with unforeseen complications. We chose the kissing scene in the movie as worthy enough of taking place in my chart.

5. Love Actually

Love Actually is a heart-breaking love story for the reason that two lovers will never end up together. Why? This is a story about a man involved with his best friend's wife. The movie scene that took the 5th place is when he comes at her front door and tells her with signs that he loves her.

I really hope you enjoyed my personal top 5 romantic movie scenes. I would be happy to know which your favorite romantic movie is. Who do you prefer to watch those kinds of movies with?

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Reviewed: Stake Land [2011]

15 - 98mins - Horror - 17th June 2011

Stake Land is set in a post apocalyptic world where a vampire epidemic has spread over the whole country leaving only small pockets of people left to fend for themselves. One such group consists of Martin (Connor Paolo), just an ordinary kid before the vampires, and Mister (Nick Damici), a vampire hunter, as they travel north through infected America to the promised land of Canada where rumours are of a safe zone called New Eden. As Martin and Mister travel, they run into new people and communities both good and bad who each have their own unique ways of coping with the disaster.

For a film with the title Stake Land you might think you know what you are letting yourself in for but the enemies are rather ambiguous and are what I would call the offspring of a vampire (only come out at night, need to be staked etc) and a zombie (brain dead drones, don't get bit or you will turn etc). Whatever they might be though, they still do their job of looking evil and warrant a wide berth if survival is the aim of the game.

Fleeing to the only safe patch of land left while being chased by zombies/vampires/the diseased/[insert appropriate evil entity here] has been covered rather exhaustively of late hence Stake Land will be getting no bonus marks for originality. But it is by no means a bad attempt despite having been done better by others before it and is certainly one or two notches above the swathes of budget horror flicks out there. This is mostly due to the film not solely relying on the vampire gore factor to sell it to the audience. The actors are capable and the script and direction from Jim Mickle leaves me wanting to see the characters make it through the ordeal without dying- not an emotion I usually have when watching a horror.

In many respects it sets itself up in a similar vein to The Road with a similar feel to it as a small group set out against everyone else to try and overcome their troubles. The pace of the film is slow highlighting their efforts to journey across the country and the bleak music and well constructed post-apocalyptic sets with signs declaring that all hope is lost succeed at pulling you into the world that has been created.

When compared to its counterparts, I found that it toned down the scare factor and action was more of a premium than you might expect for a film of this nature. It seemed to dabble more with the emotional turmoil that the characters were going through focusing on character development rather than setting out to make you require a change of underwear- although it still has its moments.

I was not blown away but it was refreshing to watch a horror movie that had a bit of depth focusing on communities coming together to help each other in times of hardship as well as filling my requirement for action, blood, gore and religious fanaticism.

Rating: B-

For further reviews feel free to check out: http://www.fanaticalaboutfilms.com/

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Yeti: Curse of the Snow Demon Movie Review

Awhile ago, I was channel flipping on the TV and I came across a movie on Sci-Fi (now known as SyFy) channel under its original release called "Yeti: Curse of the Snow Demon." I thought on first glance that it was another film made by The Asylum studios for direct to TV and DVD, but after doing a little digging, I later found out that it was an original in studio film by Sci Fi.

The film cast includes Marc Menard, Carly Pope, Adam O' Byrne, Elfina Luk, Brandon Jay McLaren, and Taras Kostyuk as the monster (Yeti). Upon first appearance viewers may get a sense that this film has a feel to one of those old, campy horror films from the 80's. The kind where you would have the typical group of young kids or adults in a situation where they would have to find a way to survive in the wilderness facing not only the elements, but an unknown monster or force that slowly picks them off one by one, and this is all done in a campy like nature; and this film is no exception.

Our story begins where an American college football team on a plane trip survives a horrific plane crash in the Himalayas. The few remaining survivors are forced to camp out in the wreckage of the plane while waiting for help and relying on whatever they can find to stay alive. As the days past, one of the survivors, Sarah (Pope) notices that the remaining corpses from the wreckage have been mysterious vanishing. As the movie progress, we soon see hope dwindling for the survivors. Food soon runs out as the group may have to resort to cannibalism while the yeti closes in on the group and rescuers are in a frantic search for the wreckage of the down plane.

While this one is of course and in-house film from Sci-Fi and uses some stock plot devices and special effects, this film did however seem to have a feel of just left your mind run with the madness of the situation here. One thumbs up I have to give would be to the costume and make up for the Yeti design as it did look like some work went into designing a scary monster (mainly the head) rather than going straight to a computer to build the monster form wire frame scratch.

While this film was intended as a horror film, this was more of a fun movie where you and a few of your friends would gather around the TV and just have fun with the movie by having a loud conversation on who was going to go next, why would an American college football team would be flying over Tibet, who do you think is going to walk away at the end. In short, if you don't take this film seriously and just have your mind roll with the story, you may get some laughs with this film instead of having trouble getting some sleep after viewing this late at night.

Final Verdict: 2.5 out of 5 stars.

If you had enjoy this review and are looking for more movie or DVD reviews or are looking for a website to chill and relax, head to http://www.moviegamelounge.com/

We have movie reviews as well as awesome flash games. Come on to the Lounge and check us out!!!

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International Fantasy Film Festival 2011 in Sitges

The 2011 International Fantasy Film Festival of Catalonia will take place in less than three months. This festival has been taken place in Sitges, Spain, since 1968. It was born as the 1st International Week of Fantastic and Horror Cinema. The Sitges Film Festival is the first fantasy film festival in the world and it is well-known worldwide. Along with the Cannes Film Festival it is one of the best film festivals in Europe. Millions of people are now waiting for such a yearned date. It is a must appointment for those who love fantasy films and look for the latest trends and new technologies in the cinema and audiovisual production. What is more, the Sitges Film Festival is the meeting point of both film buffs and producers. It is here where new fantasy films are exhibited and promoted and also where lovers of this genre can exchange their thoughts and learn more about their passion.

The Sitges Film Festival, which is being held from 6th to 16th October, starts with the Catalan film called "Eva". This film is the debut of the director Kike Maillo and it is starred by the Catalan actress Marta Etura and the German actor Daniel Brul, both young promises in contemporary cinema. The film is set in the future and talks about a female robot called Eva. This film is perfect to open the festival as it shows the great quality of Catalan fantasy films and deals with the theme of the festival.

The 2011 Sitges Film Festival wants to pay homage to the film A.I. Artificial Intelligence by Steven Spielberg. It has been 10 years since this great success could be seen in all screens around the world. Do you remember the story? David was a child robot who lived in a world where humans and robots lived together. Evil robots were sought by the police and destroyed. David was accused of being evil but her mum helped him to escape. The young robot wanted to see her mum again and looked for the Blue Fairy to make his wish come true. So, it is a story which mixes science fiction and futurism with human feelings and tenderness. The story of a young robot who looks for his mum and carries a teddy bear with him all the time. Doesn't it remind you of an Anime series about a boy and his monkey?

The posters of the film festival show two robots created in Japan by Professor Hiroshi, which look as if they were alive.

Angel Sala, the director of the festival, recalls the big success of A.I. Artificial Intelligence and mentions the excellent time that the fantasy genre is living now. In the festival we can see films and short films from Catalonia and other parts of Spain as well as films made abroad. "Mientras duermes" (while you're sleeping) by Jaume Balaguero James and "La mujer del Eternauta" by Adan Aliaga are other two examples of the excellent quality of Catalan fantasy films production.

There are other interesting proposals like contests and workshops. But, undoubtedly, the best is the Zombie Walk. On 14th October, Sitges will become a kind of Zombie land as hundreds of zombies will be walking the streets of Sitges. You can become one of them and join the parade. Wear your best rags and make your face and body up. The film "Juan de los muertos" (John of the Dead), which shows an ironic view of the political reality in Cuba, can be seen that day, too.

Would you like to go to the Sitges Fantasy Film Festival? Look at Sitges Film Festival for further information.

Harriet Freeman,

Tourist specialist and general interest in Northern Spain and Madrid. Have a look at the website of Sitges apartments for more information about Sitges.

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Albus Dumbledore and His Great Tragedy

The end of an era has come. The last film in the highly successful Harry Potter movie franchise is now showing in countless theaters worldwide and it is currently raking in millions and millions of dollars. Enough to fill any goblin's bank. But as much as fans of the movies and the books look forward to the grand finale, they are also devastated that it all has to end now. A world without a Harry Potter film to look forward to is just unimaginable. To Potterheads across the globe, the world suddenly looks bleak.

But then again, is there really no chance for a sequel? Or even a prequel? Not even a chance as slim as a wizard's wand? The Harry Potter universe is full of magical twists and turns and fantastical plots that are yet to be unraveled. So a spin-off movie is not an impossibility. After all, the X-Men movie franchise came up with X-Men Origins: Wolverine. And even if it was far from being great. It did earn a lot at the box office. So cheer up Potter fans. There is hope.

So which Harry Potter character deserves a spin-off movie? How about a movie telling the origins of the most noble wizard of them all? None other than the great Albus Percival Wulfric Brian Dumbledore! How did he ever come to be such a great wizard? What was he like when he was young? Who are the people who helped shape his character? And was he ever in love? If yes, with whom? In 2007, J.K. Rowling, the author of the phenomenal book series said that she has always thought of Dumbledore as gay. She did not go into details, but she said Dumbledore fell in love with the Dark wizard, Gellert Grindelwald who was also his "great tragedy".

The film, if it ever materializes, is the fantasy film genre's answer to Brokeback Mountain. Well, it might not attract the same number of viewers the last eight Potter films attracted, but it will surely stir things up in Hollywood. People will talk about it and it will make headlines. Oh, for the love of Hogwarts, it will.

But is Hollywood ready for a gay story about one of the most beloved characters in film history? A film about Dumbledore's sexuality is like a film saying Santa Claus is gay. Undoubtedly, countless brave men and women will make things possible for the realization of such a film, but surely there will be "Voldemorts". Oh, the Voldemorts of this world will surely go out of their way to keep the film from showing.

A gay love story about two wizards may sound fantastical and farfetched. But love is a universal language. Dumbledore's love for Grindelwald should not be a big deal at all. After all, to love is human.

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Are Satellite TV Deals Really A Deal?

For most of us there are usually only three types of choices available for TV entertainment services. For those who have all three available, you're looking at satellite TV, cable TV or over the air programming. When you consider that OTA programming is free and that cable companies can bundle TV with internet connectivity and phone service, you'll probably wonder if satellite TV deals are actually a deal. By taking a look at all the facts, you'll definitely see the actual truth to all the options.

Although over the air (OTA) programming is free, depending on where you live, you may only receive one or two channels. If you have access to PBS broadcasting, you may have 5 channels if you're lucky. You'll be limited to local programming only and won't have any access to movie channels, superstations or other entertainment options which really limits your viewing choices that cable TV and satellite TV deals have alleviated.

That's why cable TV initially became popular. Cable TV enabled viewers to really expand the choices they have for TV entertainment. Their services now include not just a wide variety of TV channels but internet connectivity and phone service as well. However, many of the old ideas the cable company used as a revenue stream are still in place, like renting users the set top boxes and the remotes and charging for HD, is still in place and by the time you dig through all the fine print and drill down to the bottom line, cable TV is actually quite expensive. Not only that, but your package choices are fairly limited which makes satellite TV deals even better.

Dish satellite TV companies really became popular when they designed a system capable of doing virtually the same thing the cable companies were doing with the big satellite dishes they use to receive and redistribute programming. These companies realized that you didn't have to have a big dish to receive their signals and developed a little dish system and put together package deals that, today, are very flexible in the number of channels you can have in a package and are incredibly affordable. Not only that, but with the great satellite TV deals available, you'll get all the equipment you need for free, a DVR upgrade for free, free installation and HD free for life. It's almost like you're being paid to watch TV.

So they can give you the same type of services you can get from cable companies, satellite TV providers have deals with other great companies in your area for internet service and phone service as well. Not only does this give you the same capabilities as your cable company but, when you get to the bottom line, at a price that still saves you a ton of money over cable. You'll be getting the best value for your TV dollar when you take advantage of satellite TV deals when you see how much money you'll be saving.

To get the best satellite TV deals that are available today with the options you want, all you have to do is a little research. DISH TV offers a variety of packages and deals with items like HD free for life, free installation and much more.

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Source Code - Movie Review

Source Code is a fast paced sci-fi thrilling affair. It appears to test brains but it serves better if they are allowed to rest. It brings a big idea and the idea is interesting enough to keep all glued to screens for an hour and a half. It tries in vain at length to explain the idea through calculus and electromagnetics- is it really important? Avatar, Inception....... no one cared to think.

The Idea: Consciousness remains in body even after death and by using it we can access and even live last eight minutes of someone's life.

Colter Stevens (Jake Gyllenhaal) wakes up in train sitting next to a beautiful woman named Christina (Michelle Monaghan). He has no idea what he is doing on the train. Christina knows him as Sean but he does not know her. His last memories are of a soldier fighting in Afghanistan. The big thing: When he looks into a mirror he sees a different face. Eight minutes after he wakes up the trains blows up with a deadly bomb and everyone gets killed. Except, Colter, who finds himself in a strange capsule and a woman is talking to him.

She is an air force officer named Coleen Goodwin (Vera Farmiga). She orders him to go back again in that train and locate the bomb and the person who planted that bomb. That train had already been blown but they fear that more such attacks are ahead. He had to accomplish this through a time program, Source Code, which enables to virtually take over some dead person's body and live last eight minute of that person's life. Colter takes over Sean's body (a school teacher that travelled in the train that had blown up). He goes back to that train through Source Code and comes back unsuccessful. Coleen and her boss (Jeffry Wright) keep sending him back and tell to find the planter of the bomb so that future incidents may be avoided. He also learns that in fact he is also dead: died two months prior to this train incident.

He eventually does the job and saves future bombings. Source Code is a success. So what is next with him? Can he also save the passengers that had already died? Can he survive?

Crazy? A little too much? But still it works and because the proceedings are fast and the direction (Dunken Jones) is smart and crafty. Gyllenhaal plays a role which every decent actor should play well. Christina does what she had to: She looks sweet and innocently charming. Jeffry Wright looks the bossy scientist he needs to look. Vera Farmiga does wonderfully well first as a soldier than as a person with a heart.

Source Code is a smart sci-fi thriller with two spoilers: the odd logics given and the end. Just before the end, there was a frozen shot where everyone was happy and the shot was really moving. It could have been a much better ending. But the makers decided to take a step forward and which isn't truly appealing.

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Facts And Figures About James Cameron's Titanic

Upon hearing the word 'Titanic', people will most likely think about two things. The first is the sinking of the cruise ship RMS Titanic on its maiden voyage in April 15, 1912. The second is the epic movie Titanic written and directed by the uber-talented director James Cameron, which was loosely based on the tragic event. The film was released in 1997 and it tells the love story between two passengers of the cruise ship. The two main characters of this film are the poor but charming artist Jack Dawson and the 17 year old first class passenger Rose DeWitt Bukater.

Although James Cameron's Titanic was released 14 years ago, many people are still fascinated by it today. The tragic love story of Jack and Rose definitely struck a chord with those who have watched the film. But there also many other things that make this movie special.

There are actually so many films about the tragedy of the RMS Titanic, but nothing can compete with Titanic in terms of popularity and financial success. An estimated budget of $200,000,000 was spent to make this movie, making it the most expensive film ever made when it was released in 1997. The movie held the title for 8 years, before losing it to King Kong which was released in 2005. Titanic did not just cost a lot of money to make, but it also generated a lot of cash. Titanic generated a worldwide gross revenue of $1,843,201,268, and in 1998 it was crowned the highest grossing film in history. The movie held the title for 11 years, before losing it to another movie written and directed by James Cameron. Yes, we are talking about the 2009 science fiction movie Avatar.

Soon after its release on 19 December 1997, Titanic received many positive reviews from both critics and the media. Rotten Tomatoes gave the movie a rating of 83% "Fresh" based on 97 reviews, while Metacritic rated it 74 out of 100 based on 34 reviews.

James Cameron's Titanic also garnered numerous prestigious accolades. At the 70th Academy Awards in 1997, the film won 11 awards out of 14 nominations, including Best Picture, Best Director, and Best Original Song (for Celine Dion's My Heart Will Go On). In the entire history of the Academy Awards, there are only two other movies that can match the success of Titanic: the 1959 Ben-Hur, and the 2004 The Lord of the Rings: The Return of the King.

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Mila Kunis: From Ukraine to One of Hollywood's Sexiest Women in the World

She was born on August 14, 1983 in Chernivitsi, Ukranian SSR and emigrated to the United States in 1991. At the tender age of seven-years-old, little did her family know that she would grace the silver screen and be named as one of Hollywood's sexiest women in the world. Her real name is Melena and she landed her first acting role at the age of nine. After taking acting classes at the Beverly Hills Studio, Mila Kunis met her manager: Susan Curtis. It didn't take long for Curtis to recognize the talent she found and soon Mila was attending auditions. Is it anyone's surprise that Mila Kunis landed the very first commercial audition she tried out for? Mila Kunis starred in a Barbie doll commercial, the first of many to come. Her parents encouraged her, as long as she stayed in school.

More commercials followed and soon Mila's face graced catalogues and print ads. She modeled for a clothing line for Guess before her commercial appearances gave room to television roles. Mila Kunis first appeared on the NBC soap opera Days of Our Lives portraying the character of Hope Williams as a child. Other roles would follow including a guest part on Baywatch, The John Larroquette Show, Hudson Street, Unhappily Ever After, 7th Heaven, Make a Wish, Molly, Santa with Muscles, Honey, We Shrunk Ourselves, and then her breakthrough role as a young Gia Carangi in the film lead by actress Angelina Jolie. Seven years into her acting career, Mila would land the role of Jackie Burkhart on That '70s Show.

Mila Kunis earned numerous awards and nominations for her performance as Jackie Burkhart including the Young Artist Award, Teen Choice Award and Young Hollywood Award. More nominations and awards would follow as Mila expanded her career and began to take on more adult roles. In 2000, she would lend her voice to the Seth MacFarlane creation Family Guy. She voiced the character of Meg Griffin. She would continue with more voice work for Robot Chicken and The Cleveland Show. She has also performed voice work for video games such as the Family Guy Video Game and Saints Row.

Mila Kunis began to see her filmography expand with films such as Forgetting Sarah Marshall, Max Payne, The Book of Eli, Black Swan and Friends with Benefits. She continued to see more nominations and wins for her movie roles.

There is no doubt that Mila Kunis has proved herself as a beautiful, sexy woman, but she has also shown that she has successfully bridged the gap from child actress to leading lady.

Charisse Vanhorn writes about Mila Kunis for Examiner.com. You may follow her and join in the conversation regarding all things Mila Kunis on Facebook.

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Rocky Movies

Rocky Balboa is a fictional American boxer who made his screen debut in 1976's Rocky. The movie was written by then unknown Sylvester Stallone who also played the title role. He was once a promising boxer but never got his shot. Now he is a part time loan shark although he still trains in Mickey's gym. The heavyweight champion of the world, Apollo Creed, played by Carl Weathers, needs to find a matchup for his bicentennial fight. Out of obscurity they pick the Italian Stallion and Rocky finally gets his chance. Talia Shire also stars as the incredibly shy Adrian, Rocky's love interest. Paulie Pennino, played by Burt Young, is Adrian's brother and Rocky's best friend. Rocky's long time trainer, Mickey Goldmill is played by Burgess Meredith.

In the final fight Rocky defies all expectations and gives Apollo Creed the fight of his life. Although Creed wins the points decision, in the sequel, Rocky 2, he receives a lot of criticism from fans and journalists about the fight. He eventually taunts Rocky into a rematch. Rocky accepts after he struggles to find work in the real world. However, Adrian cannot bring herself to support his efforts as she is too scared of him getting hurt. She eventually comes around and with her support Rocky becomes the champion of the world.

In the third Rocky movie, 1982's Rocky 3, Rocky Balboa is an established heavy weight champion. When a young tyro emerges on the boxing scene accusing Rocky of being too scared to fight him, Rocky realises Mickey has been cherry picking his fights. Clubber Lang, plated by Mr T finally gets to fight Rocky and destroys him in the ring. The stress gives Mickey a heart attack, killing him. Rocky once again finds his hunger and beats the young fighter in a rematch.

In Rocky 4 a super human Russian boxer, Ivan Drago played by Dolph Lundgren, kills Apollo Creed in an exhibition match. Rocky seeks his revenge and fights Drago in front of a hostile crowd in Russia. He takes a beating but eventually gets the better of his bigger opponent, knocking him out.

The injuries from his career, particularly those of the Drago fight force Rocky to retire. Unfortunately a crooked accountant has stolen his fortune and Rocky has to move back to Philadelphia. Working in Mickey's old gym, a young boxer named Tommy Gunn convinces Rocky to train him. However, Gunn soon become jealous of Rocky and the pair have a brutal street fight that Rocky wins.

In the final Rocky movie, Rocky Balboa (2005), Rocky has lost his wife Adrian to cancer and he owns and runs a restaurant in her name. He is convinced to come out of retirement to fight an exhibition match with the heavy weight champ Mason Dixon. Fortunately for the much older fighter, Dixon suffers a hand injury, which hampers him for the fight. Rocky gets the opportunity to exorcise some of his inner demons and Dixon gets to prove himself to all of his critics. While Dixon wins with a points decision, they both get to leave the ring with their heads held high.

If you want to find out more about the inspirational Rocky movies, check out my Rocky Movies Squidoo Lens. I also have a Rocky Movies page at HubPages.

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Now To Rent Movies With Netflix

Netflix was one of the first online DVD rental stores to eliminate the late fees. This doesn't mean you can keep the DVDs for years. However, if you can't return the DVD's for some justified reasons, Netflix will not penalize you.

Along with the DVD, you will also get a postal free of charge envelope to send the movie back. This way, besides the monthly DVD rental fee, you won't need to pay anything else.

Netflix has several available packages. The cheapest one allows you to rent one movie at a time once every two weeks, while the most expensive one allows you to book eight DVDs at a time.

The smallest package that costs 4.99 dollars a month is not such a great option, as you will be limited at two movie rentals a month. All the other packages are unlimited, so you can rent eight DVDs at a time, and whenever you need, you can give them back and request other eight. However, before signing up for real money, you could try their trial program allowing you to benefit from the Netflix services free for one month.

The engine of Netflix is simple. If you like a movie, you can add it to the Queue. The movies will be sent to your home in the order from the Queue, but you can change the order whenever you like. The movies are sent considering your package and personal preferences.

Once you send a package back, the next package will be delivered automatically. This is why Netflix allows late returns: you won't be able to request another set of movies until you deliver the old set back, and this is how Netflix makes sure you are always sending the DVDs back.

Netflix introduced other services also in the latest years. For example, you could watch the movies online if you don't want to wait until they are delivered. The number of free movies is also limited considering your package. You will find the Instant Play section with all the available movies from this program.

The quality is guaranteed with Netflix, as they have the Player developed exactly for the formats available for Netflix. You can connect the computer to your TV, but you can also order the special Netflix hardware that will guarantee the quality and the clarity of the movies.

Another important section that might be helpful is the review section. Each movie has reviews from previous watchers, so you could easily know if the movie suites your needs or not. The star system is also helpful. Netflix also has a system that makes the reviews of the experienced users more valuable. Some Netflix fans are giving constant reviews, and you can be sure their opinion is objective.

Netflix rental service has many options for it's users. This guide will help determine which is the best fit for you.

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Abusing the Use of 3D in Movies

When Avatar was shown to viewers in commercials, it was heavily advertised as a 3D experience taking place in a theater near you. If you have had the opportunity to visit an amusement park, there are many rides that include a 3D feature requiring you to put on glasses in order to experience the spectacle. With that in mind, the idea of Avatar in 3D enticed a large percent of the population and caused people to flock to the movies.

To each his own, however, Avatar was fantastic, and allowed you to experience an action movie like never before. Would not this imply that 3D is here to stay? That was the initial thought. Movies began to feature a 3D option, but at the cost of paying an extra 3 to 5 dollars (not to mention the overpriced 3D televisions). As viewers began to see, most of the movie had been in 2D with the occasional object flying in his or her direction. Without a doubt, many became angry that they had to pay more for one scene and wear glasses the entire time.

It had become apparent that 3D was becoming a marketing gimmick in order to persuade customers to pay more for a greater experience. These great experiences faded away quickly with the likes of Jackass 3D, The Pirates of the Caribbean, and many more. To add more harm, 3D movies are often darker because the image has to be rendered twice, and therefore suffering in quality compared to its 2D counterpart.

Movie studios did not stop there. Older 2D movies were making a comeback in the form of Blu-Ray with a 3D option. When movies are not shot in 3D, and instead modified, the quality is lackluster and the effects are dull. So why was Avatar so successful in 3D? Because James Cameron developed the technology himself, to be in 3D from the get-go, and to be brighter, therefore eliminating any darkness. The movie, itself, also is meant to be in 3D due to the various depths and action scenes. It is the extra effort that James Cameron took, that made Avatar a successful box office hit. Other studios just looked at it as a "get rich quick scheme".

If viewers needed another reason not to adopt 3D, it would be the health effects. Your eyes are heavily strained throughout the movie because they must take in images displayed differently. There are 2 images laid on top of each other in a cross-eyed pattern that your eyes must adapt to and that is what cause some viewers to become nauseous or suffer from headaches.

Like the introduction of every new technology released ever 5 or so years, 3D is another selling point to get consumers to buy. After all, their businesses depend on it.

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Who Is The Best Avenger?

The Avengers are one of the greatest comic book teams ever created. Originally debuting in 1963 as a superhero team consisting of Ant-Man, Thor, Wasp, Hulk and Iron Man, The Avengers have gone on to have a huge rotating roster over the years, consisting of aliens, mutants, gods, super soldiers, robots and supernatural beings. With Avengers popularity at an all time high, I've chosen to discuss who I personally think is the best Avenger of all time.

Hawkeye

(Bio)Clint Barton was born in Waverly, Iowa and lost his parents at a young age. After spending 7 years at an orphanage, Clint ran away to the carnival where he became a master archer. After seeing Iron Man in action, Clint was inspired to become a superhero, but a misunderstanding on his first outing forced him to go on the run as a falsely accused thief. Clint then met the Soviet spy, The Black Widow who persuades Clint to steal technology from Iron Man. After the mission proves unsuccessful, Hawkeye decides to stay solo, but is later convinced to become an Avenger after Iron Man sponsors him, believing Clint is serious about becoming a hero.

Some people are sceptical that compared to the likes of Iron Man and Thor, Hawkeye is going to look weak when appearing next to his teammates when The Avengers is released in 2012. What makes Hawkeye such a relatable and engaging character is that he is just a normal man, standing amongst gods and super soldiers. Many people have compared to him to Han Solo in the sense that, he isn't afraid to get in other people's faces. Hawkeye's backbone is his dynamic with the other Avengers. He often clashes with Iron Man over authority issues, which can also lead to conflicts with other Avengers such as Captain America.

One of the best examples of how Hawkeye should be portrayed is in the recent animated show The Avengers: Earth's Mightiest Heroes. The show depicts Clint as a former S.H.I.E.L.D agent who has a large attitude, which keeps him on the outskirts of the Avenger's team. Despite only been a fringe member of the team, Hawkeye has some great standout action moments in the series.

I'm not the biggest fan of Mark Millar's Ultimate Hawkeye interpretation. Whilst I thoroughly enjoyed the black-ops aspect of the character, I found Ultimate Clint to be slightly generic, and his character was too similar to The Punisher (although there was some standout moments in The Ultimates 2 for Clint).

We've seen a glimpse of how Hawkeye will be portrayed next year from Jeremy Renner's brief cameo in Thor. So far it looks like a reasonably fresh concept for the archer avenger, but there are definitely elements drawn from The Ultimate series. The recent concept art for Hawkeye's costume for The Avengers movie more or less confirms this.

So there you have it. My favourite Avenger is not a god, or a man in a weapons suit. It's simply a guy who uses a bow and arrow. Hawkeye hasn't had the best treatment in mainstream Marvel comics recently, but hopefully come next year when everyone see's what a great character he is that will all change.

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All Good Things

Stars: Ryan Gosling, Kirsten Dunst, Frank Langella
Director: Andrew Jarecki
Release Date: March 29, 2011
MPAA Rating: R

When I first heard that Ryan Gosling pulls Kirsten Dunst out of a room by her hair, I was intrigued. It is nothing against Kirsten- it just sounded unusual. Then with a little investigating, I found out that the movie was All Good Things, which is based on the real-life mystery of a missing woman. It sounded like it might be a good, dark mystery/thriller/drama type of movie. So I went to the local Blockbuster, rented it on Blu-ray and was quite pleased with my choice.

David Marks (Ryan Gosling) is the oldest son of wealthy proprietor Sanford Marks (Frank Langella), who owns real estate in the New York area, and has some shifty business relations. Sanford wants David to eventually take over the family business, but David isn't interested. At his father's request, David goes to check on an apartment complex and that is where he meets Katie McCarthy (Kirsten Dunst).

They marry, move to Vermont, and open an all-natural supply store. On a visit to the shop, Sanford guilt-trips David into moving back to the city and working for him, claiming that Katie should be offered a better sort of life. David agrees to his father's suggestion, but then his behavior starts to change. Katie hears him talking furiously to himself. He starts to have violent outbursts. She is concerned and discovers that when David was a child, he saw his mother jump to her death.

When Katie gets pregnant, David forces her to have an abortion. On the way to the clinic, David abandons her to take care of some business at his father's request. After this, Katie and David start to drift apart. She moves into their country house and he stays in the city. She goes to medical school and he moves up the corporate ladder. Katie eventually asks for a divorce, but David won't let that happen- he still loves her. So she must find a way to convince her husband to give her a divorce. She is aware that her father-in-law's business practice is not on the up and up and chooses to use that information to blackmail the family into letting her go. It doesn't go as she had planned. Shortly after, Katie goes missing. Then the movie starts to get crazy, but crazy in a good and captivating way.

After watching the film, I couldn't resist the urge to search the internet for more details. There is some speculation about exactly what happened because Katie has never been found. One of the extras on the Blu-ray is interviews with the victim's family and their insight into the events. It is kind of interesting, but it is a shorter synopsis of what happens in the film. The movie is a little slow in the beginning, but once Katie disappears it just becomes a rollercoaster of insanity and dementedness. I was left feeling dumbstruck and astounded even with the speculation aside. It is a little creepy to think that this guy is still out there, living what I suppose is a "normal" life. You've got to watch All Good Things.

If you want more great reviews, visit http://slackers.com/!

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The Most Popular Doctor Seuss Stories

Doctor Seuss is such a famous writer that it would be difficult to pick out his most popular books. He has published a total of 46 books, all of which entice generation after generation of children.

Preferences are something individual and each person has a favorite Doctor Seuss story. This article lists some of the most popular books by the author that have affected literature and have made a long-lasting impression.

The Cat in the Hat
This is the first Doctor Seuss book that introduced the character of The Cat. Children love The Cat, its fun tricks and the overall atmosphere that this fun protagonist manages to create. The Cat is mostly recognized for the exceptionally tall hat that features red and white stripe decorations.

The book was published in 1957 and is a children's classic till present day. On a rainy day, a brother and a sister get introduced to The Cat, who tries to amuse the little ones while their mom is away.

Unsurprisingly, more than 11 million copies of this Doctor Seuss story have been sold.

Horton Hears a Who
Horton Hears a Who was published back in 1954 and is the second Dr Seuss book to have the cute elephant as its protagonist.

The plot tells the story of the elephant Horton who one day hears speech from a spec of dust. This spec of dust happens to be a microscopic planet inhabited by little Whos. A cartoon based on the book was recently created.

One of the most important phrases from the book is "A person's a person, no matter how small."

Green Eggs and Ham
This happens to be the best-selling Dr Seuss book. Green Eggs and Ham was published in August 1960.

Two characters have a dialogue and this is how the entire book unfolds. It contains no narrative. A character named Sam tries to convince another character that lacks a name to try a meal consisting of green eggs and ham.

Green Eggs and Ham is suitable for very young children, since the book contains simple words. This is the fourth best-selling children's book of all time and it certainly will be an amazing baby shower gift.

The Lorax
The Lorax came into existence in 1971. The originality of the characters is one aspect that makes the book unique and typical for Dr Seuss.

This book speaks about nature, its abundance and diversity. A movie was created following the book's plot. The Lorax lead to some controversy since a number of people consider it to be unfairly critical of the logging industry.

How the Grinch Stole Christmas
How the Grinch Stole Christmas is so popular that the book needs no detailed introduction. Audiences across the globe love the story and it is equally attractive to both children and grownups.

Dr Seuss himself created the original book illustrations. How the Grinch Stole Christmas was published in 1957.

The Grinch is a very angry and bitter character. This character does everything possible to spoil everyone's fun by stealing Christmas gifts and meals. Yet, Christmas comes and the Grinch learns that the holiday is more than mere objects.

Criss White writes about babies and party topics and is a fan of Dr Seuss. To get some planning tips for a dr seuss baby shower and ideas for dr seuss baby shower games, visit Criss's website.

Note: You can reprint this article in your ezine, blog, or website as long as the credits remain intact and hyperlinks remain active and dofollow.

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Exclusive Interview With The Night Shift Director Thomas Smith

Recently, I had the good fortune of stumbling onto a short film that I thoroughly enjoyed from beginning to end. While the short was shot on a non-existent budget (I read it was about $200), I saw a very unique vision here. Thomas Smith has a talent for making movies that a lot of us love but have almost given up on seeing anymore. It seems like most "kids" movies and most "grownup" movies are separated by a large gap nowadays. During my childhood, they seemed to be able to merge the two together seamlessly into a film both young and old could wholeheartedly enjoy. I just don't see a huge number of movies doing that today. There are a few here and there but not many. Thomas Smith and his cast of characters are able to do just that with their short film "The Night Shift".

The Night Shift by FightingOwlFilms

Fighting Owl Films (Smith's production company) is responsible for six short films since 2007. Each film shows an amazing progression from the last. It is fairly obvious Smith has found a very talented group that he likes to work with. He has worked with composer/actor/cinematographer Soren Odom on many projects. Odom's fan favorite role has to be the voice of Herbie, the skeleton and side-kick of The Night Shift protagonist, Rue Morgan. Morgan is portrayed by Khristian Fulmer. Smith may have found his lead actor in Fulmer, a charismatic stage and film actor (as well as stuntman) but he has definitely found his partner in the lovely and talented Erin Lilley on and off camera. Lilley is not just Smith's favorite film actress, she is also a producer, stage actress, voice over talent, amazing vocalist and most recently she learned stunt work for the feature film version of The Night Shift.

Mr. Smith recently agreed to do an interview with me and I will share that with you. We talk about his films, his influences, Jaws, barbeque, Herbie, spending time in a cemetary, The Rocketeer, Doctor Who and, of course, indiana Jones. The Night Shift is currently in post-production. I am very muchlooking forward to seeing it once it is ready. I also look forward to seeing what Fighting Owl Films and the very talented individuals behind it will do next. You should be too.

Here you go:

Joel: Would you tell me a little about your life before making movies?

TS: Well, I've been making short films since college, so we'll have to go a long way back. As a kid I was very imaginative. I did a lot of drawing, made my own cartoons and comics and characters. I also loved to play outside and with action figures, and I'd develop incredibly intricate stories for them to act out. I suppose that's where a lot of things began.

Joel: Congratulations on the feature film. I love The Night Shift short film. What were some of the largest obstacles going from the short to the feature?

TS: Thanks. Some of the biggest concerns involved finding locations, building sets and getting the creature makeup squared away. That's not to mention the summer heat everyone had to contend with.

Joel: If you had one word to describe what Night Shift is about, what would that word be?

TS: Fun.

Joel: What films or directors inspire you the most?

TS: I'm a big fan of early Spielberg and the wackiness of Sam Raimi and the writing of Joss Whedon. Also, I really admire Larry Blamire's work. Some of the films that have been big influences on me are Indy, Jaws, Army of Darkness, the original Wolfman and countless other classic and b-movies from the past.

Joel: Are there any movies or directors you think a lot of people may not have heard of that you would like to share?

TS: I think if anyone is unfamiliar with the work that Larry Blamire is doing and they have a fondness for classic films, they should definitely check out his work. The Lost Skeleton of Cadavra films and Dark and Stormy Night are some of the funniest films I've seen in the past few years and they're great homages to a specific period of genre films and filmmaking.

Joel: What would you like viewers to come away with after they watch The Night Shift?

TS: A sense of satisfaction and enjoyment. So many films that are released today just leave me unsatisfied, feeling empty. There's little plot, no characterization and everything tends to revolve around explosions and CGI set-pieces. I'd like audiences to remember that there was a time when you could (and still can) have genre pictures with special effects and action and adventure, but those things didn't overtake the rest of the film, and you had characters to connect with and care about. If Jaws were made today in someone else's hands, it would be all about the shark and the attacks. A big part of what makes that movie work are the very human performances given by the actors, the characterizations and the interaction of those characters. I don't necessarily watch Jaws for the shark, I watch it for the interaction between Scheider, Shaw and Dreyfuss; the shark is just a perk.

Joel: You have created a good amount of short films. What is it about Night Shift that you feel called for a feature film? Do you think there were more external or internal triggers behind the decision?

TS: It's something that just sort of happened. I enjoyed making the short and it was really well-received. I thought about doing sequel shorts, further installments in the characters' adventures, but decided that it was something that we could successfully branch out into a feature and keep the budget low. I had more stories to tell with these characters and there seemed to be an audience for it.

Joel: What was the biggest change in directing this time?

TS: The scale, mainly. Lots more people, costumes, props, equipment, sets and makeup to coordinate and schedule.

Joel: There seems to be somewhat of an innocent quality to The Night Shift that I don't see as often as I would like in genre film anymore. Is that something you consciously go for?

TS: For The Night Shift, definitely. There's a very innocent tone to the whole film and the short, which is something I had to keep in mind throughout the writing process and filming. Every film has a different tone, but I try to keep mine innocent and fun for the most part.

Joel: So, you are located in Mobile, Alabama? Off the subject of film for a moment, I love barbeque. Does Mobile have any good barbeque spots you would recommend for anyone passing through?

TS: I love BBQ too. There's nothing better. There are a few places around here that are good - The Shed, Dreamland and Saucy Q.

Joel: What's the most interesting story or bit of trivia about your local area?

TS: We have a battleship.

Joel: I'm sure you have a lot of interesting tales from making The Night Shift. What's your favorite?

TS: Spending long hours, both day and night, filming in a cemetery, something creepy is bound to happen. I don't know if it was because I was exhausted, but there were a few times when I saw someone unfamiliar out of the corner of my eye and when I turned to see who it was, no one was there. A few crew members had similar experiences. Also, one night we were filming near a particular grave and we had a light positioned near it. Any time we moved the light closer to the headstone, it would turn off. When we moved it away, it would come back on. Very strange.

Joel: Are you nervous about how people will react to The Night Shift?

TS: Of course! I think it's a solid and fun film and others who have seen early cuts of it have enjoyed it, so I think people will like it, but it's always scary. When it's finished, that's the point where it leaves my hands and is free to go out into the world and get kicked around if people so choose. Even if I had the next "Star Wars" on my hands, I'd still be nervous. There's just no way of knowing what the reaction will be, but I think and hope that it will be positive.

Joel: I am really excited to see The Night Shift feature film. Is there any news on how it will be distributed? Any festivals yet? How about in the Pennsylvania/Maryland/New York Area?

TS: We've had some interest from distributors, but we can't really move forward until we have the film 100% complete. We're getting there, though. As soon as it's finished we'll be sending it out to those interested parties and others and hopefully we'll be able to get the film out to a wide audience. We're also in consideration for screening at a few festivals and we've had some invites, but we're still awaiting confirmation on those.

Joel: Are there any choices you've made related to The Night Shift that you would like to have the chance to go in a different direction with?

TS: Not really. There are a few small things that I would change here and there, but nothing worth mentioning.

Joel: It seems like you have a very popular skeleton on your hands. Do we get any kind of history lesson on Herbie in the film? Will we ever get to see him when he was able to walk on his own?

TS: Everybody loves Herbie, kids especially, but he's such a diva. We get a few hints dropped here and there regarding his past and he takes some abuse, but I think keeping him helpless is part of his charm.

Joel: How do you view your path from your first project to The Night Shift feature? Would you recommend a different path for aspiring filmmakers?

TS: One big learning experience. All of the short films essentially served as mini film schools because I learned something new and encountered a different set of problems with each film. I think it's a good path to go down. Pick up a camera and just shoot footage, edit some together. It doesn't have to be a fantastic piece of art, it's just for experience. This also helps you to figure out what the film community is like in the area and who you can count on and who you can work with.

Joel: Do you think you have found your niche as far as subject material?

TS: I think so. It took me a while to get there. That's part of the helpfulness of experimenting with shorts. They really allow you to find your strengths, weaknesses and find the kind of stories you enjoy telling. Right now, I feel that my niche is "fun supernatural adventure." I'm comfortable with it and really enjoy it.

Joel: Do you have a set method of getting a performance out of your actors? Do you stick to the script?

TS: We hold rehearsals and I see what they're doing with their character and line delivery there. If I like it, I just let it go. If something is off or not what I want, we'll work on correcting that. I definitely stick to the script, probably one of the problems of letting the director also be the writer. However, I'm not opposed to some improvised lines or different takes of a scene as long as we get what's on the page down first. Later, in editing, I'll go back and see which worked best in regards to the context of the scene, its tone and in terms of the characters.

Joel: Speaking on future projects, do you have any concepts in mind at the moment?

TS: I've been kicking around a few ideas. It all comes down to what happens with The Night Shift and how it does. I have a few ideas that could be really fun follow-ups to The Night Shift, sort of the further adventures of Rue Morgan and the gang. The downside is that those ideas would require slightly larger budgets than what we were working with on this film. I'm also exploring a classic ghost story idea that I've had for a year or two and a fun horror-adventure centered around The Jersey Devil.

Joel: Do you have a dream project? How about dream actors?

TS: I would absolutely love to do something Doctor Who related. Maybe one day... There are quite a few actors I'd love to work with, from genre staples to some that I don't think get enough recognition or appreciation for what they do. There are just too many to name.

Joel: There's been a trend in Hollywood with remakes and reboots. In my mind, I see the trend being powered more by marketing than artistic reasoning, but I do enjoy seeing a unique take on previous films here and there. Is there a film or property out there that you would like to take a crack at?

TS: The Rocketeer. I agree that Hollywood's interest in remakes, reboots and long-delayed sequels to beloved franchises has a monetary root with zero artistic intent. I think the Platinum Dunes horror remakes have become the poster child for this formula. However, in the case of characters or films that never got a fair shake, but could really prove to be something special if given a chance, I think it's okay. The Rocketeer is one of those characters that never really took off, despite all of the right elements being in place. I love the original film and think a pseudo-sequel/reboot would click with today's superhero-happy audiences. Disney, call me...please?

Joel: So, you're a big Indiana Jones fan (everyone should be). Were you happy to see Indy back in part 4? Would you like to see another?

TS: Honestly, I really enjoyed Crystal Skull. I know it's popular to spew hate at George Lucas after the Star Wars prequels, and I'm certainly not an apologist for those films, but I think Crystal Skull was a solid installment in the Indy franchise. The film had its fair share of problems, but overall I actually prefer it to Temple of Doom. People complain about the fridge scene and the other over-the-top elements, but it's nothing too far removed from the ridiculousness that occurred in Temple. Raiders is the best, followed by Last Crusade, but there's plenty of room for the rest. I'd definitely like to see the further adventures of Indy, but I think it's time to recast the character (if that's even possible) and take him back to his 1930s pulp roots. The 50s just didn't feel "right" for the character.

Joel: Did you find a happy mix of digital and practical effects? Anything you might change on your next project?

TS: From a filmmaking standpoint, I prefer practical effects. They just have a weight, a realism to them that CG doesn't have. However, for The Night Shift, we had some dangerous stunts that we had to shoot - a few explosions, gunshots, etc. For a film on our budget, these things wouldn't have been possible without CG. Also, digital effects allow you to save time while shooting because if you need to do another take you don't have to clean everything up and reset the entire scene. The makeup in the film is all practical, along with a few other minor effects, but the big stuff and even some little thing that no one will ever notice would never be possible without digital effects.

Joel: It looks like you get to wear a lot of hats in your productions. Do you have a favorite and least favorite role?

TS: There's Writer Thomas, Producer Thomas, Director Thomas and Editor Thomas. I really prefer writing, because I can do anything I want. It's only later when Director Thomas has to figure out how to film something or make a scene or effect work does Writer Thomas get some hate. Editor Thomas pretty much despises everyone, because editing can be such a tedious process sometimes. It's also difficult to decide what to keep and what to trim, especially since Writer Thomas wants to keep everything in. The up-side to editing is that I have complete control over the pace and feel of the film. Producing wasn't bad either, though it caused a great deal of stress and headaches, but I really prefer the writing.

Joel: Is there is one thing you would like people to know about The Night Shift or Fighting Owl Films?

TS: A lot of hard work and effort went into The Night Shift and I hope people enjoy it. They can follow us online at our websites (www.fightingowlfilms.com), (www.thenightshiftmovie.com) or on Facebook and Twitter for all of the latest news and updates. If people like what we're doing, please pass the site or the trailer along to friends and family to get more people interested. Also, despite having zombies and various other creatures of the night in it, The Night Shift is actually a very family-friendly flick. It's something that audiences of all ages can enjoy.

Thank you for the interview Mr. Smith.

I understand some of the reasons behind why I like this guy's films now. Early Spielberg, Sam Raimi and Joss Whedon? Some of the best for me! The Rocketeer and Doctor Who?I love them both. The Rocketeer is the reason I have faith Captain America will be a great movie. His take on Jaws? Jaws is very nearly as perfect as film as there is to me. Taking Indy back to his roots and recasting? Sounds great. What do you think about Nathan Fillion? By the way, I liked Crystal Skull as well. Only, one thing I disagree with Mr. Smith on is Temple of Doom is my second favorite behind Raiders. While, Last Crusade was awesome, I would have liked a little less focus on Indy's Dad. Anyway,take some time and check out some of Thomas Smith's films. You won't be dissapointed.

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Top Telugu Actors

The Telugu film industry, popularly known as 'Tollywood', is the third largest film industry in India. The Telugu film industry is still in its infancy when it comes to making and accepting realistic, contemporary, unconventional cinema. Traditionally, the Telugu audiences idolise their actors and like to watch them in larger-than-life roles. This article is about the four most popular, still reigning actors of Telugu cinema.

Chiranjeevi: This 'Megastar' of Telugu cinema had a modest beginning to his career in 1977, acting in villainous and supporting roles. He started playing leading roles in movies in 1982. Films like Intlo Ramayya Veedhilo Krishnyya, Khaidi, Abhilasha and Rudraveena earned him awards and accolates. Since then, there was no looking back. The 90's further established him as a top hero, with films like Jagadeka Veerudu Atiloka Sundari, Gang Leader, Gharana Mogudu and Aapadbhandavudu, which won the hearts of class as well as mass audiences. After a few more super hit movies like Indra, Tagore and Shankar Dada Zindabad in the 2000's, Chiranjeevi is now focused on his political career. He started with an independent political party called Praja Rajyam (People's rule), which has now merged with the Congress party. He is also actively involved in social activities, running a blood bank named after the actor himself.

Chiranjeevi is the most popular actor of Telugu cinema till date, loved by Telugu audiences across the world for his versatility, dancing style and charisma.

Balakrishna: 'Yuvaratna' (young diamond) Balakrishna is the son of legendary Telugu actor and former chief Minister of Andhra Pradesh, N.T.Rama Rao. Following his father's footsteps, he entered the film industry as a child actor in the film 'Tatamma Kala' in 1974. He debuted as a main lead in the 1984 film 'Sahasame Jeevitham'. 'Mangamma Gari Manavadu', released the same year, was a roaring success at the box office. His popularity soared in the next few years with several hit movies like Muddula Mavayya, Nari Nari Naduma Murari, Lorry Driver, Rowdy Inspector and Aditya 369. The films had Balakrishna in various interesting roles that attracted class and mass audiences, and particularly, the youth. The 2000's saw Balakrisha acting in several factionist-backdrop movies like Chenna Kesava Reddy, Narasa Simha Reddy and Samara Simha Reddy. His latest super-hit movie was Simha in 2011. When we talk of Balakrisha, we can't forget his mythological and socio-fantasy based movies. Like his father, Balakrishna excels in such roles and it would not be an exaggeration to say that he is the only current hero who can do justice to them. Some of his note-worthy performances in such roles were in movies Bhairava Dweepam, Pandurangadu and Sri Krishnarjuna Vijayam. Another film 'Sri Rama Rajyam' based on lord Rama's life is currently in the post-production stage and is slated to be released in Aug, 2011. Balakrishna is also involved in social causes and runs the Basavatharakam Indo American Cancer hospital, which is a brain-child of his father and named after his mother.

Nagarjuna: Widely regarded as one of the most stylish actors of Tollywood, Nagarjuna entered filmdom with high expectations. His father is Akkineni Nageswar Rao, one of the legendary actors of Telugu Cinema. He is one of the few heroes in Tollywood who excels in romatic roles. Though his first film was 'Sudigundalu' (1967) when he was just 8 years old, his debut film as a hero was Vikram in 1986. Two movies of Nagarjuna released in 1987, Geetanjali and Shiva, not only got him commercial successes, but also critical acclaim, and they remain among Nagarjuna's best movies till date. In the 90's, Nagarjuna acted in several hit movies like Killer, Varasudu, President Gari Pellam, Hello Brother, Criminal and Gharana Bullodu. The roles he played in these movies were a mix of sophisticated, urbane characters and rural, mass characters, and he did justice to both types of roles alike. In 1996, Nagarjuna produced and starred, along with Tabu, in 'Ninne Pelladutha', which is ones of the best Telugu romantic movies ever made. Among his other light-hearted, romantic entertainers are Santhosham and Manmadhudu. In the movies Annamayya and Sri Ramadasu, the audiences got to see a different side of Nagarjuna's acting talent. He played the role of an ardent devotee in both the movies, and proved that he is also capable excelling in a genre his father was well-known for. With a, charming personality and unmatched style, Nagarjuna has kept the Telugu audiences captivated for over two decades now. Nagarjuna's son Naga Chaitanya has also entered the Telugu film industry and is doing well, with a recent hit 'Ay Maya Chesave'. Nagarjuna is the co-founder of the Blue Cross of Hyderabad, which is an animal welfare organization run by his wife Amala.

Venkatesh: 'Victory' Venkatesh, as he is popularly known, is the son of famous producer D.Ramanaidu. Venkatesh debuted in the movie 'Kaliyuga Pandavulu' in 1986. He then acted in the movie Swarnakamalam, which is among the best Telugu movies ever made. Starting with this movie, Venkatesh has always made an effort to act in meaningful cinema. However, he also acted in some mass movies, which gained him a fan following in mass as well as class audiences. The 90's saw some interesting movies like Bobbili Raja, Kshana Kshanam, Chanti, China Rayudu, Dharma Chakram, Preminchukundam Raa, Premante Idera. Some of these were romantic entertainers, some socio-fantasies, while others were set in a rural backdrop. This versatility makes Venkatesh stand out among his contemporaries and the audiences have come to expect something good and different from his each time. One other specialist of Venkatesh's movies is the scope they give for female actors to perform at par with the hero of the film. Examples of such movies include Malleeswari, Adavari Maatalu Arthale Verule and Nagavalli. Venkatesh keeps a low profile and avoids media attention except for his movies. So not much is known about his other activities.

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Harry Potter and the Deathly Hallows: Part I Movie Review

With the imminent end looming large the clueless trio of Harry Potter, Ron Weasley and Hermione Granger are running through the woods mostly trying to figure things out and maybe the second part would be better and extravagant but Harry Potter and the Deathly Hallows: Part I isn't all that great unless you are a Potter maniac. So if someone told you that the first installment of the Harry Potter finale is strictly for fans do believe them and even steer clear of the film if possible for you might not get most of it.

Harry Potter and the Deathly Hallows- Part I Story

Harry Potter's looking for all the Horcruxes and wants to destroy them before Lord Voldermort's secret to immortality is out. For someone who hasn't read a single Harry Potter book or seen a single Harry Potter film this isn't the film to fall in love with the bespectacled boy wizard. After all it's only fair for the filmmakers not to pander to someone who waltzes in the seventh installment of a franchise and expects to be blown away. In that context Harry Potter and the Deathly Hallows: Part I surely lacks the punch that a second last film of a seven part series should possess. This isn't Rambo or Rocky or even Police Academy that loses its sheen somewhere between part III and IV; on the contrary JK Rowling's successful series has it all figured out.

Apparently even those Potter maniacs who might not dress up as wizards while watching the film agree that this version stands very true to the book. But if looked from a different point of view the entire tension of Harry and Hermione walking around in the woods trying to decipher how to stop the Dark Lord largely consists of scenes that look cyclic. Harry, Hermione and Ron don't look really sad even when they get to learn of the deaths of people close to them. Rather they seem to mature up in a jiffy and move on to some more rambling in the dark.

Final Words on Harry Potter and the Deathly Hallows- Part I

Does it really make sense to have a full film that acts like a half-hearted and almost soulless prelude to the climax? Maybe it does to be loyal to the spirit book. Could the two Deathly Hallows installments actually be one tight power-packed film? Perhaps yes. But the meditative tension of the book that has been translated on to the screen might just work very well with Potter freaks and set things up for penultimate finale. So what's the pay off for the first time viewers or the greatest of non-believers of Potter? The fantastic animation sequence about the secret of the Deathly Hallows stands out and is brilliant to say the least. Also the sequence of Rupert Grint's Ron finally confronting his worst fears of losing Hermione to his best friend and Dobby's death are good.

With all the talking and the seeking Harry Potter and the Deathly Hallows: Part I ends on a great note of promise and after spending a better half of their lives playing the leads Daniel Radcliffe, Rupert Grint and Emma Watson look set for the final episode.

For someone who remains largely unaffected by Potter mania, this reviewer finds it rather difficult to rate this film.

Harry Potter and the Deathly Hallows- Part I Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Ralph Fiennes and Robbie Coltrane

Harry Potter and the Deathly Hallows- Part I Screenplay by: Steve Kloves based on the book by J.K. Rowling

Harry Potter and the Deathly Hallows- Part I Directed by: David Yates

I am a Delhi-based author who writes for Buzzintown.com as part of Buzz Bureau team, while I also wear the hat of a documentary film maker. To know about latest English movies Bangalore or English movies Mumbai please visit movies.Buzzintown.com

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Selling Vintage Movie Posters to Famous People

Selling and collecting vintage movie posters is my hobby, it brings me into contact with many different people from different continents. I have sold to collectors and enthusiasts from Canada, USA, Brazil, Peru, Japan, Australia, New Zealand and most of Europe. One of the best things that transpires after selling a poster are the replies of the buyer. I have been lucky enough and consider it an honor to sell posters to famous people and their relatives. Here is just one story of those moments.

I purchased a lovely collection of posters dated from 1950-1960 from a local auction room. After sorting through them I decided to put some up on Ebay for sale. One such poster was from a film called She Played with Fire, a 1957 film starring Jack Hawkins and Arlene Dahl. The film was also known in the United Kingdom as 'Fortune is a Woman'.

For people not familiar with her films she also starred in Journey to the Centre of the Earth. So I woke up one morning and checked Ebay and found that someone had purchased this poster, after going through the usual form of a sale, emailing them a delivery date and then shipping the poster off, it was only when I received feedback that I noticed the username of the client in connection with the poster. I then decide to email the buyer to ask if there was any connection with Arlene Dahl. Not really expecting a reply back I received an email a few days later... saying it was Ms Dahls secretary purchasing the poster on behalf of Arlene Dahl!. I emailed back saying it was a privilege to offer her a poster and wondered why she hadn't got a poster of this film. Maybe it is because once the film industry have finished making money out of you they really don't care, I don't know. After a few corresponding emails the final one I received was that Ms Dahl was very pleased with the poster and to pass on her gratitude.

It's stories like these that bring a smile to my face, someone like Arlene Dahl who made thousands of people smile with her films in the late 1940s until the early 1960s, showing appreciation to a movie poster seller across the sea.

Arlene Dahl quit the film business in 1957 to become a beauty columnist and writer then in later years a businesswoman founding Arlene Dahl Enterprises marketing cosmetics.

www.timelessmoviemagic.co.uk

http://www.timelessmoviemagic.co.uk/ - vintage movie posters for sale 1920s-2000s

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Movie Review: Harry Potter and the Deathly Hallows: Part 2 (2011)

As might be expected of splitting the final Harry Potter novel into two films, "Deathly Hallows Part 2" feels like one giant, climactic conclusion. Yet the abundance of breathtaking action and epic drama creates a fitting end to the legacy that doesn't disappoint in building a sense of escalating excitement. Inevitably, the film falls short when it comes to elements that the book offers far more time to embellish, such as the impact of supporting characters' final confrontations and their poignant tragedies. The pacing does benefit from this necessary truncation, but those not exceedingly familiar with the Potter lore might find themselves pondering where they last saw several of the characters. These minor distractions aside, the boundless imagination and effective theatrics successfully play upon the emotions to result in a cathartic and triumphant finale for the epic journey.

Lord Voldemort (Ralph Fiennes) has now acquired the powerful Elder Wand of the Deathly Hallows legend as Harry Potter (Daniel Radcliffe), Hermione Granger (Emma Watson), and Ron Weasley (Rupert Grint) frantically search for the final few Horcruxes in an attempt to destroy the evil wizard. Their quest takes them from the treacherous vault of Bellatrix Lestrange (Helena Bonham Carter) to Hogsmeade Village and back to Hogwarts School where they must make a desperate final stand against Voldemort and his massive army of Death Eaters.

It needs no introduction, and anyone unaware of what has happened in the first seven films has no excuses. To even watch a movie with the words "Part 2" in the title insists that prior knowledge and familiarity be obtained. It's no mystery that this is the close of a decade-spanning series and that it represents just the final chapters. This is partially why it succeeds over Harry Potter and the Deathly Hallows: Part 1, which felt terribly fragmented - although it doesn't have a precise beginning, it definitely has an ending. And thankfully, for those who haven't read the novels, it's largely satisfactory. The showdowns, duels and monumental confrontations are expectedly prodigious, but it's the abundance of long-awaited answers revealed that really hits the spot.

The new locations are vast and mind-boggling, the sets beautifully decorated and detailed, and the creatures more impressively monstrous. Hulking trolls, an enormous scaly dragon and a fiery winged serpent are just a few of the mythical additions. Even the spells have become more creative and saturated with special effects, while the number of notions derived out of nowhere has decreased (there are undeniable comparisons to be made with The Lord of the Rings and Star Wars series, but it's difficult not to borrow from those franchises when dealing with fantasy - especially when it comes to silly names). But perhaps most welcome is the change in tone concerning Harry's ultimate rivalry - for the first time in several movies, he has competent allies beyond Ron and Hermione. Characters such as Neville Longbottom, Cho Chang, Professor McGonagall and Horace Slughorn have been absent for a while and finally show up to aid in their complex quest and defense of Hogwarts. "I'm afraid you really don't stand a chance," comments Ollivander early on, which follows the mood of the previous two films - but his statement is thrillingly proven erroneous by Harry Potter's later, pulse-pounding coup of the castle.

- The Massie Twins (GoneWithTheTwins.com)

The Massie Twins are identical twin film critics who have been professionally reviewing movies full time for over 5 years, appearing on TV, radio, online and in print. They are members of the Phoenix Film Critics Society and the Internet Film Critic Society and their work can be seen at GoneWithTheTwins.com

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The Future of Television

More and more people are having access to television and a lot of people nowadays are also in able to access multiple channels via the satellite signals and even through cable channels. People are really making use of the information and the entertainment provided by television and who can argue with the fact that a lot of big companies are also making a lot of money because of the advertisements that they fund on various television stations. Even today, people are using the television in so many ways and in fact, the potential for television is expanding as we speak.

Information is essential, nowadays; no one can deny that information has become more of a need than a want for any human being. Our brains are bottomless pits which have an insatiable appetite for visual stimulus and information and though only a few know about the effects of television, we are actually persuaded, inclined and attracted to various things that we see on the television each and every day. Although there are a lot of ways to access information, we are all hooked up with our television sets, billions and billions of eyes are constantly fixated to our television sets each and every time.

Nowadays, not only are products and services being promoted on the television each and every day, the television is also being utilized as a means to influence people as well. More and more people are being influenced and more and more people are subconsciously being swayed into making a decision because they are visually bombarded by subliminal messages or blatant advertisements on the television set. I see that the future of television will not only rely on its capability to inform people and educate us, it will also be a tool with which billions will be influenced. No wonder why there are a lot of politicians who also try to do campaigns on television and no wonder why powerful individuals also try to manipulate media to their advantage, this is because they know how powerful television is.

The future of television is definitely one which is bright and powerful, we are now seeing before or eyes, television being able to control us, our actions, our thoughts and our capabilities. We are now seeing before our eyes how television can make money and how it can make an impact in our society. I really think that because of all these things, we will later on find a new and useful feature which can be done by the television that was previously unexplored. I feel that television is indeed very powerful and it also has the potential to connect different worlds. During the recent earthquakes, people were informed and nations all over the globe were able to see it happen in a matter of hours or even minutes. If you do want to be in the know, get connected and look for the professionals for your tv aerial installation needs.

Mica Galleb is an SEO writer and loves to watch TV. She advocates the excellent service of Kiwi Sat Limited for all your aerial installation needs.

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Movie Review: Harud - Kashmir Based Film

Known for his impressive acting jobs Aamir Bashir dons the director's mantle with Harud. Born and raised in Kashmir, Bashir has seen the Valley transform into the volatile war zone that it has come to be known as. Keeping his association with the state in mind one expects Bashir's Kashmir based film to rise above the recent mediocre and highly insensitive films that have Kashmir as a backdrop.

Harud Story

Harud is the story of a young Kashmiri man, Rafiq, who has grown up in the war-torn state amidst the looming presence of the gun. Unable to deal with a mother who refuses to believe his missing elder brother might never come back and a policeman father who is far too cautious, Rafiq's life becomes a tightrope walk. He decides to become a militant and also tries to cross the border but doesn't really go the whole hog. Once back he struggles to get along with his life but his brother's disappearance, his mother's optimism and his father's paranoia overwhelm him. Somehow life takes a turn when Rafiq finds his brother's old camera.

Inspired by the roll he discovers in the camera Rafiq dreams of becoming a photojournalist. From delivering newspapers he joins a local news agency but things don't come easily in life yet Rafiq doesn't mind waiting. Suddenly a light shines in all the darkness with the camera in his hands and Rafiq sees some kind of a meaning in his existence. He starts accompanying his mother to the Missing People's family demonstrations; starts helping his father who seems to be losing his mind after a bomb blast. He starts feeling the air in his lungs and is ready to take on the world without trading a piece of his soul but life has other plans in store for him

Final Words on Harud

Bashir handles Harud with all the care and love such a story deserves but the film fails to rise above the bar it decides to set for itself. Shot on location Harud captures the fabric of present day Kashmir and the mood of its young men but never really takes off once it sets up the premise. The film starts off with great promise but once Rafiq returns back to his life as he has known it to be the screenplay fails Harud. This is also the point in the film where the visuals start getting more prominence over the story. While cinematographer Shanker Raman's work aides Harud to a fair length it also seems to take over the reins.

Written by Bashir, Shanker Raman and Mahmood Farooqui Harud's languid pace and the somber mood can be justified to a great extent by the filmmaker who didn't intend his film to preach. Yet this very personal story of a young man ends up losing much of its potential and sheen to the bigger thought of making some kind of subtle statement. Towards the last quarter of the film Harud becomes very riveting and the end deserves all the praise but having said that the film only works at a surface level.

Harud Cast: Reza Naji, Shahnawaz Bhat, Shamim Basharat, Salma Ashai

Harud Written By: Aamir Bashir, Shanker Raman and Mahmood Farooqui

Harud Directed by: Aamir Bashir

I am a Delhi-based author who writes for Buzzintown.com as part of Buzz Bureau team, while I also wear the hat of a documentary film maker. To know about Telugu Movies Mumbai or English movies Mumbai please visit movies.Buzzintown.com

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Samsung's 3D TV Warnings: Something to Be Taken Seriously

Finally here is something that proves our moms were right after all. For years as we frittered our childhood in front of our television sets watching our favorite programs - whether Howdy Doody or SpongeBob Squarepants - mom had been breathing down our necks warning us that we would ruin our eyes and rot our brains if we watch the boob tube too much. Not only moms, all doctors, scientists, and the like have attributed so many evils to this idiot box over the years. But it proved to be like a Teflon coated cookware: nothing stuck to it. Now Samsung have posted warnings on their website about the latest development in television, the 3D technology which will soon appear in the stores near you. Coming from a leading television manufacturer, these 3D TV warnings do need to be taken seriously.

Samsung's list of 3D TV warnings does include its effect on eyes. It says sitting too close to a 3D TV (or any other TV, I am sure) and viewing it continuously for prolonged periods of time can damage your eyes irrevocably. They recommend that the distance between the viewer and the 3D television set should be at least three times the height of the screen. They also recommend that your eyes and the screen should be at the same level.

Not to be forgotten, Samsung's 3D TV warnings also say something about the special glasses required to watch the 3D effects on the television set. They have warned that prolonged use of special glasses can cause headache, fatigue and dizziness. Now, if you watch the 3D television for prolonged periods of time, you are bound to be wearing these glasses for pronged periods as well. So, if you notice any of these symptoms, turn off the television and give some rest to your eyes. And of course, never ever wear these glasses except when watching the 3D television. They may tempt you as sunglasses, however they can damage your eyes and vision.

Samsung have also pointed particularly vulnerable groups in their 3D TV warnings and these are people with a family history of epilepsy or strokes, or similar other diseases. People with such a family history to contend with will do well to return to an older model. This is because 3D televisions can give off flashing lights which are known to have set off fits in some such people.

Among particular age groups it is children and teenagers who are particularly vulnerable to these ill effects. So, at least now give heed to what your mom says.

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The Hello Kitty Story: How Hello Kitty Became So Popular

Hello Kitty is the most famous character created by Japanese company Sanrio. It was born in Tokyo in 1974 to become a worldwide favorite very fast.

In the beginning, Hello Kitty was to be called Kitty White, as one of the kittens described in Through the Looking-Glass. The name was chosen as English literature became very popular in Japan at the time. This proposal was turned down, however.

Hello Kitty is a stylized female kitten that lives and has fun in London. One intriguing fact is that Hello Kitty lacks a mouth. This was done on purpose - the lack of mouth lets people project their emotions onto the character.

The first product featuring the Hello Kitty image was a small and very inexpensive vinyl purse. Today, Hello Kitty products generate about 500 million dollars annual profit.

Other characters live in the world of Hello Kitty. These characters include family and numerous friends. In 2004, Hello Kitty got her pets - a kitty and a hamster. Hello Kitty's father is called George White and her mom is Mary. Hello Kitty has a sister named Mimmy, who happens to be the character's best friend.

The number of market products carrying the image of Hello Kitty is large. This character has become tremendously popular in the US. Initially, Hello Kitty products targeted young girls but today the kitten has appealed to fans worldwide and regardless of age.

Hello Kitty decorates memorabilia, foods, clothes, cosmetic products, computers and even airplanes. Celebrities have endorsed Hello Kitty, as well. Mariah Carey, Cameron Diaz, Paris Hilton and various other stars have worn Hello Kitty outfits.

In Japan, Hello Kitty has affected nearly every aspect of life. Teens and adults alike fall in love with the childish, sweet image of the kitten. All kinds of outfits, including Hello Kitty wedding dresses are available.

MasterCard features Hello Kitty on its debit cards since 2004. The card is dedicated to the needs of young girls who are learning how to make such financial transactions.

Hello Kitty video games and anime movies have been created, as well. The earliest cartoon series featuring the character came into existence in 1991. The production was cooperation between the USA and Japan.

Various famous designers have used the Hello Kitty image and have been inspired by the cute Japanese kitten. Victoria Couture's models wore Hello Kitty masks during a 2007 fashion review.

The little white kitten is a cultural phenomenon. In 2007, policemen in Taiwan, who had committed some kind of minor violation became obliged to wear a Hello Kitty symbol for several days.

Coins carrying the Hello Kitty image have been minted, as well. The price of a single Hello Kitty silver coin can reach up to 1100 dollars.

A Hello Kitty dream wedding was held in Hong Kong in February 2007. The wedding took place in Hong Kong's railway. The train that transported the happy couple came with very special decorations, as well.

Even today, the Hello Kitty craze is continuing. You can discover dozens of objects, including outfits, baby shower party decorations and gifts, video games and other accessories. Hello Kitty remains a tremendously popular accessory for both children and adults.

Criss White writes about babies and party topics and is a Hello Kitty fan. Check out Criss's article on hosting a hello kitty baby shower on Criss's website about baby shower ideas.

Note: You can reprint this article in your ezine, blog, or website as long as the credits remain intact and hyperlinks remain active and dofollow.

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Mr Nice Blu-Ray Review

The rights to make a film of Mr. Nice were sold to the BBC by Howard Marks when the landmark autobiography of perhaps the most sophisticated drug baron of all time topped the best seller lists in 1996. 15 years later and his vivid memoir has finally been brought to the big screen by the iconic writer/director Bernard Rose (Immortal Beloved) who faithfully captures the rambling, often comic, nature of the original book aided by an outstanding performance from Rhys Ifans in the title role.

In researching this article I have found many prominent discrepancies between the reported facts, their fictionalised account in the original Marks book and the way in which they are presented by Rose in his screenplay. This opaque concept of reality has helped to give "Mr. Nice" his legendary outlaw status with comparisons drawn to Robin Hood and Butch Cassidy to name but two. Whilst this lack of absolute veracity might irritate some, to my mind it only serves to heighten the movie as a work of art in its own right.

In trying to echo the essence of an autobiography Bernard Rose elected to take on most of the important technical roles behind the camera, not content with writing the script and directing the performances, he is also the cinematographer (operating a handheld 35mm camera to capture the requisite period look) as well as being the film's editor. This singular vision provides a necessary counterpoint to the force of nature that is Rhys Ifans who dominates almost every scene in the movie.

Ifans actually got to know Marks back in the day when he was singing with the fledgling Welsh psychedelic rock combo Super Furry Animals, prior to the huge success of the book the two became firm friends and a deal was struck that Rhys should play Howard if a film was ever made of his life. This long standing amicable association provides the movie with a heart that would have most likely been missing with anyone else in the lead role, Ifans admiration for Marks is demonstrable as is his compassion, particularly in the Terre Haute Penitentiary scenes.

The film opens from behind theatrical curtains with Howard Marks addressing a favourable crowd during one of his live shows, after the book's success he became a popular speaker on the raconteur circuit. It then flashes back to his early life in a small Welsh coal-mining village near Bridgend, the black and white film stock shrinks to a 4:3 ratio giving the feeling of a kitchen sink drama of the period, the young Howard is also played by Rhys Ifans; a surreal device recollecting the televised plays of Dennis Potter.

Marks was the first of his family to attend university after earning a scholarship to study at Balliol College, Oxford, in the mid-1960s. Like many of his generation during his undergraduate years he was exposed to a variety of recreational drugs including LSD but his drug of choice was cannabis, in particular hashish; as he takes his first toke the scope of the picture widens and dramatically shifts from monochrome to vivid colour, reminiscent of Dorothy's entrance into Oz.

After Howard graduates from Oxford with a degree in Nuclear Physics, he heads back to Wales, gets married and starts a family, this is the version of events unique to Rose's film as this is not how Marks recalls it in his book nor is it true to documented accounts but it makes perfect dramatic sense. He takes a steady teaching job to make ends meet and for a while leads a sober yet boring existence, until he attends a party thrown by his old college chum Graham (Jack Huston) who seems to be doing incredibly well for himself by selling hash. Howard is readily seduced back into the hippy culture when he meets and shares a joint with Judy (Chloe Sevigny), embarking on a long love affair with her and the weed.

When Graham is arrested while attempting to smuggle a large haul out of Germany, Howard agrees to courier the remaining stash back to the UK where he is quickly baptised into the machinations of big time drug dealing; turning a quick profit and agreeing to collect further shipments from the Pakistani supplier, Saleem Malik (Omid Djalili). This whirlwind period in Howard's life brings him into contact with the colourful character of Jim McCann, the Irish freedom fighter allegedly kicked out of the IRA for drug trafficking played full tilt by David Thewlis. Marks engages McCann's Provo contacts at Shannon Airport to covertly import drugs from the European mainland.

In a surreal twist straight out of the pages of Ian Fleming or John le Carre, Howard is approached by another old chum from Baillol, Hamilton "Mac" McMillan, played by the wonderful Christian McKay (Me and Orson Welles), who now works for MI6 and wishes to recruit Marks as his eyes and ears in various cases relating to narcotics or terrorism in return for a level of protection from the law.

Between the late 70s and early 80s Howard Marks amassed a complex network of connections controlling at one point 10% of the global hashish market and by the mid-80s he had 43 aliases, 89 phone lines, and 25 companies trading throughout the world. True to the book the film tries to suggest that his fateful decision to move into the American market was his ultimate undoing and that Judy, who by this time he had 3 childen with, tried to discourage the US expansion and pull Howard back to reality and the commitment of family life but the temptation to make even greater piles of cash proved too much.

Bernard Rose employs a clever stylistic device to convey the 25 year time period covered in the course of movie, he takes actual filmed stock footage backgrounds and then digitally superimposes Marks over the top matching the grain, whilst the effect is an obvious artifice dismissed by some critics as simply amateurish and cheap it actually serves as a striking visual quirk that reflects Howard's constant state of expanded consciousness. It also reminds me of the back projection shots favoured by Alfred Hitchcock in his golden Hollywood period, notably Marnie in 1964.

The original soundtrack by minimalist composer Philip Glass amounts to nothing more than incidental mood music echoing the sort of thing he did for the Errol Morris documentaries of the 80s starting with The Thin Blue Line, nonetheless it does help to bring about a sense of cohesion to the piece. For this level of attentive detail Rose should be commended, he has managed to make a visually unique movie and a wonderful star vehicle for Rhys Ifans out of a stoned shaggy dog story that will help maintain Howard Marks' mythic stature as he continues his vigorous campaign for the legalisation of recreational drugs.

Steve Exeter is a passionate cinephile and screenwriter, he edits and regularly contributes to the Online-Inquirer blog site.

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